Jesús Palacios: “We’re going to see quite a few films about viruses and pandemics, and how countries have reacted to it, making dystopias a reality”
April 27, 2022Ha Le Diem depicts the bride-kidnapping crudity Vietnamese girls from the Hmong community suffer
April 27, 2022Ione Atenea becomes Panorama Spain’s first winner ever for Horses Die at Dawn
April 27, 2022Peter Pan wins the Almost-Finished Films Award and El exterior obtains the Films-to-Be-Made Award
April 27, 2022Sean Baker, “a creator of characters” to whom the Festival dedicates a partial retrospective
April 26, 2022The competition in the Festival’s most radical section begins
April 26, 2022Nosferatu returns to Miller before Camera Obscura closes with Nanook of the North and Kino-Pravda no. 13
April 26, 2022The competition for the Official Section’s eleven short films begins
April 26, 2022Rita El Khayat and filmmaker Alba Sotorra lead the meeting La mujer en el cine, ahora (Women in Cinema, Now) in Casa África
April 26, 2022Dida Nibagwire presents Father’s Day, her first production, one-hundred-percent Rwandan, alongside Kivu Ruhoradoza
April 25, 20226 Points About Emma returns to the FICLPGC as a tribute to Roberto Pérez Toledo
April 25, 2022Rendir los machos and Bancal, Richard Leacock Awards of the 21st International Film Festival
April 25, 2022The three members of the Canarias Cinema Jury and two of the Panorama Spain Jury share their first impressions
April 24, 2022The 21FICLPGC’s Official Feature Film Section starts tomorrow
April 24, 2022Irene González-López: “Tanaka wasn’t aware of how great her work as director was; there were very few women directing fiction films in the world on a regular basis”
April 23, 2022Mecas’ 5th edition begins with thirty guest experts
April 23, 2022Luis Buñuel’s The Phantom of Liberty arrives at the FICLPGC in memory of Monica Vitti
April 23, 2022Gaspar Noé presents Vortex, a moving and captivating portrayal of life decline
April 23, 2022Lullaby, Malaga’s Golden Biznaga, will be screened at the Festival a month before its theatrical release
April 23, 2022Lucile Hadzihalilovic, a creator of unique atmospheres who works from feelings and intuitions
April 22, 2022Films that deal with fears and the end of childhood, the Festival’s proposals for child and young audiences
April 22, 2022Canarias Cinema’s third Short Film session explores horror and love fiction and includes documentaries in Cuba and El Hierro
April 22, 2022Cristina Zerr deals in Der Stille Sturm with the global migratory phenomenon from the most local setting possible
April 22, 2022The vampire Nosferatu opens Las Palmas de Gran Canaria’s cinema celebration
April 21, 2022Camera Obscura brings to Miller the restored version of the masterpiece The Passion of Joan of Arc
April 21, 2022The weight of the past and its future consequences: keys to understand Canarias Cinema’s second Short Film Session
April 21, 2022Macu Machín depicts in Mujeres en la isla: las otras hijas del Mestre the role of ground-breaking female artists in the cultural history of the Canary Islands
April 21, 2022David Pantaleón portrays Fuerteventura’s idiosyncrasy in his universal drama Rendir los machos
April 20, 2022Canarias Cinema’s first Short Film session screens pandemic environments, memory and solitary adventures
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