The MECAS competition offers a selection of projects “that will both delight and bewilder”
March 31, 2023Official Section: twenty-two works, including feature films and shorts, will compete for the awards in their respective sections
March 28, 2023The Special Screenings of the Festival, “a space every film event should allow itself”
March 28, 2023The films of the future will land with ten titles in Bande à Part’s third edition
March 27, 2023Cœur fidèle will open the 22nd edition of the Festival accompanied by live music by Argentine bandoneonist Santiago Cimadevilla
March 24, 2023The Freakiest Night, “the last stronghold to defend ourselves from superheroes, televised zombies, Mandalorians and elevated terrors”
March 23, 2023“Déjà vu” recovers “nocturnal dramas, secrets, lies and delusions that are worth remembering or discovering”
March 22, 2023Talleres Palermo offers a concert session and a family show as a farewell to the 22nd edition of the Film Festival
March 20, 2023Panorama Spain draws the cartography of a good year
March 20, 2023The Film Festival pays tribute to Víctor Erice’s film ”The Spirit of the Beehive” on the 50th anniversary of its premiere
March 14, 2023Panorama, a meeting with the must-see works within the festival circuit
March 7, 2023Five feature films and seven short films make up the Canarian section of the Festival
March 3, 2023The Film Festival celebrates Digital 104 Film Distribution’s 10th anniversary with a special session
March 1, 2023Memoryland, by Kim Quy Bui, Golden Lady Harimaguada of the 21st Las Palmas de Gran Canaria International Film Festival
April 30, 2022The FICLPGC closes its 21st edition with its awards ceremony and an intense program that’ll keep the screens running until Sunday evening
April 29, 2022Shared Resources tackles debt from material and sentimental value
April 29, 2022The Middle Ages, a comedy about art in quarantine
April 28, 2022Philosopher Alberto Sucasas returns to the FICLPGC to talk about Sergei Loznitsa’s work: ‘Babi Yar. Context’
April 28, 2022Jesús Palacios: “We’re going to see quite a few films about viruses and pandemics, and how countries have reacted to it, making dystopias a reality”
April 27, 2022Ha Le Diem depicts the bride-kidnapping crudity Vietnamese girls from the Hmong community suffer
April 27, 2022Ione Atenea becomes Panorama Spain’s first winner ever for Horses Die at Dawn
April 27, 2022Peter Pan wins the Almost-Finished Films Award and El exterior obtains the Films-to-Be-Made Award
April 27, 2022Sean Baker, “a creator of characters” to whom the Festival dedicates a partial retrospective
April 26, 2022The competition in the Festival’s most radical section begins
April 26, 2022Nosferatu returns to Miller before Camera Obscura closes with Nanook of the North and Kino-Pravda no. 13
April 26, 2022The competition for the Official Section’s eleven short films begins
April 26, 2022Rita El Khayat and filmmaker Alba Sotorra lead the meeting La mujer en el cine, ahora (Women in Cinema, Now) in Casa África
April 26, 2022Dida Nibagwire presents Father’s Day, her first production, one-hundred-percent Rwandan, alongside Kivu Ruhoradoza
April 25, 20226 Points About Emma returns to the FICLPGC as a tribute to Roberto Pérez Toledo
April 25, 2022Compartir