The Bride, a tribute to Rwandan women victims of forced marriage
April 21, 2023Copenhagen Does Not Exist, a disturbing and unconventional love story that deals with isolation
April 21, 2023The Festival, through the eyes of Graphic Design students
April 21, 2023Jow Zhi Wei takes a personal experience as a starting point to bring to the big screen Tomorrow Is a Long Time
April 20, 2023About Thirty, a young man’s refusal to grow up and mature
April 20, 2023Jesús Palacios vindicates the “authentic spirit” of the genre with an edition of The Freakiest Night that stresses the importance of other cinemas and our national talent
April 20, 2023Basilio Martín Patino, the director who did not bow down to censorship, will be the protagonist of two special screenings
April 19, 2023Julián Génisson’s Inmotep, Panorama Spain Award of the 22FICLPGC
April 19, 2023Single screening of the first five works competing in the Official Short Film Section
April 18, 2023The Klezmer Project, from Buenos Aires to Eastern Europe in search of the roots of klezmer music and Yiddish culture
April 18, 2023Silent Witnesses, a contemporary story with frames from a century ago
April 18, 2023The International Bach Festival bids farewell to the third edition of Camera Obscura by accompanying two avant-garde works with live music
April 18, 2023The most experimental competition of the LPGCIFF begins with Sean Eternxs, Skazka and Bloom
April 18, 2023Voyages en Italie, an enjoyable trip that goes through different scenes of married life
April 17, 2023Killing Crabs and Circe, Richard Leacock Awards of the 22nd International Film Festival
April 17, 2023Digital 104 Film Distribution will get together the filmmakers awarded throughout its ten-year history
April 16, 2023Voyages en Italie, by Sophie Letourneur, opens the Official Feature Films Section
April 16, 2023‘Balane 3’ wins the Almost-Finished Films Award and ‘Tres balas’ obtains the Films-To-Be-Made one
April 15, 2023The Panorama Spain competition starts with the feature films Notes on a Summer and La mala familia and the short film La concha
April 15, 2023Omar Razzak portrays the Tenerife of the nineties in Killing Crabs: the story of two brothers “who only have each other”
April 15, 2023Eduardo Díaz updates the first Canarian silent film to offer a fully contemporary work in The Thief’s Dream
April 15, 2023Camera Obscura recovers to the beat of jazz ‘Safety Last!’, the iconic American comedy starring Harold Lloyd
April 14, 2023MECAS’ main activity begins with the screenings of the Almost-Finished Films projects
April 14, 2023A collection of stories about water, love and death make up the selection of short films in competition at Canarias Cinema
April 14, 2023Amparo Aguilar rescues in Defect the memory of Argentinean surrealism while redefining its historical connection with Franco’s Spain and the Republican exiles
April 14, 2023Santiago Fillol reinterprets the foundational conflict of Argentinean literature in Matadero
April 13, 2023Octavio Guerra captures in I Had a Life the limits of the welfare model for homeless people
April 13, 2023Magic Lantern dives into seven charming and fun Korean short films for ‘little film buffs’
April 12, 2023Cœur fidèle lights up Miller’s screen one hundred years after its premiere
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