{"id":23645,"date":"2026-04-10T09:48:04","date_gmt":"2026-04-10T09:48:04","guid":{"rendered":"https:\/\/www.lpafilmfestival.com\/naturaleza-y-memoria-vertebran-una-nueva-y-prolifica-edicion-de-canarias-cinema-en-el-25-aniversario-del-festival\/"},"modified":"2026-04-10T13:51:28","modified_gmt":"2026-04-10T13:51:28","slug":"naturaleza-y-memoria-vertebran-una-nueva-y-prolifica-edicion-de-canarias-cinema-en-el-25-aniversario-del-festival","status":"publish","type":"post","link":"https:\/\/www.lpafilmfestival.com\/en\/naturaleza-y-memoria-vertebran-una-nueva-y-prolifica-edicion-de-canarias-cinema-en-el-25-aniversario-del-festival\/","title":{"rendered":"Nature and memory abound in this 25th Film Festival\u2019s new and prolific edition of Canarias Cinema"},"content":{"rendered":"<p>\u2022 <span style=\"font-weight: 400;\">Filmmakers whose careers have grown alongside the Las Palmas de Gran Canaria International Film Festival will show the evolution of the island audiovisual industry<\/span><\/p>\n<p>\u2022 <span style=\"font-weight: 400;\">Four feature films and fourteen short films make up this section devoted to Canarian cinema, which now comes marked by powerful landscapes, the environment and the ravages of the past<\/span><\/p>\n<p><!--more--><\/p>\n<p><span style=\"font-weight: 400;\"><em>Las Palmas de Gran Canaria, April 10, 2026.-<\/em> <strong>Canarias Cinema<\/strong> has always offered a panoramic view of the current state of our island audiovisual production, and in this 25th edition of the Las Palmas de Gran Canaria International Film Festival (April 23 to May 3) things won\u2019t be any different: the section devoted to Canarian cinema will screen eighteen new pieces including four features films and fourteen short films.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this current edition, the competing pieces revolve around powerful landscapes, the environment, and the cultural, social and historical memory.<\/span><\/p>\n<p><strong>Feature films<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">As a result of its commitment to local production, Canarias Cinema has showcased the continuous growth of Canarian filmmakers beside the Gran-Canarian event. One of those artists is Tenerife-native producer and director Jos\u00e9 \u00c1ngel Alay\u00f3n, who participated in previous editions with films such as <em>Entre perro y lobo<\/em> (which he produced in 2020) or <em>Slimane<\/em> (which won the Richard Leacock Award in 2014), and is now competing with the feature <strong><em>La lucha <\/em><\/strong>\/ <strong><em>Dance of the Living<\/em><\/strong> (2025), a family story built around Canarian wrestling and the Fuerteventura landscape.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Arima Le\u00f3n is another one of the filmmakers whose career has grown within the Las Palmas de Gran Canaria International Film Festival. After having competed in Canarias Cinema with six different short films, from <em>Elektra<\/em> (2018) to <em>Koyas<\/em> (2025), she has finally made her first feature film: <em><strong>Tal vez <\/strong><\/em>\/<em><strong> Love on a Tightrope<\/strong><\/em>, a drama about homosexuality in the sixties.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Canarian production company La Banda Negra is one of the driving figures behind <strong><em>Krakatoa<\/em><\/strong> (2025), a feature by Carlos Casas who has already been well-received in other film festivals. The island company, run by Helena Gir\u00f3n and Samuel M. Delgado, has become a force to be reckoned with in recent years thanks to short films such as <em>Bloom<\/em> (2023) and the mythological approach of their productions.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The last feature competing in this edition of Canarias Cinema is Isabel Fern\u00e1ndez\u2019s <em><strong>Por qu\u00e9 no escribo nada<\/strong><\/em> \/ <strong><em>Why I Don\u2019t Write Anything<\/em><\/strong>, a documentary about writer Carmen Laforet\u2019s life which has been co-produced by the Canarian company Imaco 89 and that will premiere prior to its arrival in Gran Canaria at the Barcelona Film Fest.\u00a0<\/span><\/p>\n<p><strong>Short films<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Fourteen short films have been selected for one of the most anticipated sections of the Las Palmas de Gran Canaria International Film Festival. Several filmmakers who have already left their mark in the Gran-Canarian event will return with new pieces in which their personal filming styles are even more defined: Marta Torrecilla with <strong><em>Somos islas<\/em><\/strong> \/<strong><em> We Are Islands<\/em><\/strong>, F\u00e1tima Luzardo with <em><strong>Querido diario<\/strong> <\/em>\/ <strong><em>Dear Diary<\/em><\/strong>, or Fernando Alc\u00e1ntara with <strong><em>Ac\u00fafeno<\/em><\/strong> \/ <strong><em>Tinnitus<\/em><\/strong>. Additionally, Octavio Guerra, who didn\u2019t want to miss the section he is so familiar with (he competed in 2018 with the feature <em>In Search of Oscar<\/em>), has now made <strong><em>La mujer imaginada<\/em><\/strong> \/ <em><strong>The Imagined Woman<\/strong><\/em>.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">David Delgado San Gin\u00e9s is another regular of Canarias Cinema whose <strong><em>Sonidos en el monte<\/em> <\/strong>\/ <em><strong>Sounds in the Countryside<\/strong><\/em> is competing in this year\u2019s edition. Likewise, Jes\u00fas F. Cruz will be returning with <em><strong>Elles son, cruces de ne\u00f3n<\/strong><\/em> \/ <strong><em>Them, the Neon Crosses<\/em><\/strong>. For her part, Cayetana H. Cuy\u00e1s, whose first feature screened in the 2025 Film Festival (<em>The Prado &amp; The Moon<\/em>), will premiere <em><strong>Escultura<\/strong><\/em> \/ <strong><em>Is Culture<\/em><\/strong>. And Nayra Sanz Fuentes, who made her debut back in 2009 with <\/span><i><span style=\"font-weight: 400;\">Anniversary<\/span><\/i><span style=\"font-weight: 400;\"> and has participated in several editions since, is coming back with <strong><em>Cosecha<\/em><\/strong> \/ <em><strong>Harvest<\/strong><\/em>.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Carla Vald\u00e9s, Cuban programmer of Festival Insularia, also participates in this section with <strong><em>Mariners<\/em><\/strong>. And the founders of the Muestra de Cine de Lanzarote, Marco Arrocha and Busky Curbelo, will do so with <\/span><i><span style=\"font-weight: 400;\"><strong>Las mayorets<\/strong> \/ <strong>The Mayorettes<\/strong>.<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Yon Bengoechea (<\/span><i><span style=\"font-weight: 400;\"><strong>Toma tierra<\/strong> \/ <strong>Take Ground<\/strong><\/span><\/i><span style=\"font-weight: 400;\">) and Luc\u00eda Grimaldi (<\/span><i><span style=\"font-weight: 400;\"><strong>El pez rojo<\/strong> \/ <strong>The Red Fish<\/strong><\/span><\/i><span style=\"font-weight: 400;\">) have now taken the mantle of directors after having previously participated in the festival while being in charge of other functions within the filming process. Paula C. Ventura (documentary maker) and Javi Armas (screenwriter and actor) have directed <em><strong>Kipuka<\/strong><\/em>, set in the aftermath of La Palma&#8217;s volcanic eruption. And, last but not least, actress Marte Fuenar has created the intense short film <em><strong>Muy bien<\/strong><\/em> \/ <strong><em>Great<\/em><\/strong>.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thus, these fourteen short films make up a diverse selection of pieces which showcases different approaches and sensitivities on screen while painting an accurate panorama of current Canarian film production.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2022 Filmmakers whose careers have grown alongside the Las Palmas de Gran Canaria International Film Festival will show the evolution of the island audiovisual industry \u2022 Four feature films and fourteen short films make up this section devoted to Canarian cinema, which now comes marked by powerful landscapes, the environment and the ravages of the past<\/p>\n","protected":false},"author":25,"featured_media":23222,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"categories":[401],"tags":[],"class_list":["post-23645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts\/23645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/comments?post=23645"}],"version-history":[{"count":0,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts\/23645\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/media\/23222"}],"wp:attachment":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/media?parent=23645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/categories?post=23645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/tags?post=23645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}