\n\t\t\t\tCome Here\n\t\t\t\t<\/dd><\/dl>\n\t\t<\/div>\n\nLas Palmas de Gran Canaria, Wednesday 31 March 2021.- Films that move within exploring territories traditionally have their place in Las Palmas de Gran Canaria International Film Festival. Film critic Antonio Weinrichter is one of the voices within the Festival\u2019s hard core and also their firm advocate. From his position, he claims in the catalogue that the new competitive section Bande \u00e0 Part “is an official way to recognise an established fact, to endow this category with awards and everything involved in becoming official, and to having a fixed role in the programming\u201d.<\/p>\n
In that regard, he recalls the retrospective D-Generation<\/em> which, a dozen years ago, \u201cdrew a map of the Bande \u00e0 Part that had been simmering around here, with no curator (and no Academy, of course) to account for it\u201d. He also recalls retrospectives such as Filmmakers in Front of the Mirror<\/em> or the cycles devoted to filmmakers Naomi Kawase or Chris Marker, which, according to him, \u201cshow the existence of a pattern, a pro Bande \u00e0 Part substance, in the DNA of this festival\u201d.<\/p>\nFiction and non-fiction, features and short films, all appear in this section incapable of ignoring the \u201cmassive expansion\u201d of the pattern existing both in audiovisual essays and in works that resist traditional ways, forms or languages.<\/p>\n
The titles included in this section are:<\/strong>
\nA Metamorfose dos P\u00e1ssaros<\/strong> \/ The Metamorphosis of Birds<\/em> (Catarina Vasconcelos, Portugal, 2020, 111 min.)
\nCome Here<\/em><\/strong> (Anocha Suwichakornpong, Thailand, 2021, 69 min.)
\nHeliconia<\/em><\/strong> (Paula Rodr\u00edguez Polanco, France, Colombia, 2020, 27 min.)
\nNaturaleza Muerta<\/strong> \/ Still Life<\/em> (Carolina Astudillo, Spain, 2020, 6 min.)
\nNemesis<\/em><\/strong> (Thomas Imbach, Switzerland, 2020, 131 min)
\nOs Olhos na Mata e o Gosto na \u00c1gua<\/strong> \/ The Eyes in the Woods and the Taste in the Water<\/em> (Luciana Mazeto, Vin\u00edcius Lopes, Brazil, 2020, 36 min.)
\nPoint and Line to Plane<\/em><\/strong> (Sofia Bohdanowicz, Canada, 2020, 17 min.)
\nSurviving You Always<\/em> <\/strong>(Morgan Quaintance, United Kingdom, 2020, 18 min.)
\nTerranova<\/em> <\/strong>(Alejandro P\u00e9rez Serrano, Alejandro Alonso Estrella, Cuba, 2021, 50 min.)<\/p>\nAnd the jury<\/strong> in charge of granting the awards for Bande \u00e0 Part\u2019s first edition are: Vanina Saracino<\/strong>, an independent curator, programmer and writer; Rosa Franquet<\/strong>, a programmer expert in research in emerging sectors of audiovisual communication; and British Justin Jaeckle<\/strong>, DocLisboa International Film Festival\u2019s programmer, writer and editor working across contemporary culture, art and the moving image.<\/p>\n","protected":false},"excerpt":{"rendered":"\uf0d8 The new competition Bande \u00e0 Part is the official recognition of the festival\u2019s undeniable interest in films that resist following preestablished lines<\/p>\n","protected":false},"author":25,"featured_media":16443,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"categories":[401],"tags":[],"class_list":["post-16469","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts\/16469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/comments?post=16469"}],"version-history":[{"count":0,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts\/16469\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/media\/16443"}],"wp:attachment":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/media?parent=16469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/categories?post=16469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/tags?post=16469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2021\/03\/SURVIVING-YOU-ALWAYS_MORGAN-QUAINTANCE_FOTOGRAMA_web-150x150.jpg\")
<\/a>\n\t\t\t<\/dt>\n\t\t\t\t![\"\"](\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2021\/03\/NEMESIS_THOMAS-IMBACH_FOTOGRAMA1_web-150x150.jpg\")
<\/a>\n\t\t\t<\/dt>\n\t\t\t\t![\"\"](\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2021\/03\/COME-HERE-DE-Anocha-Suwichakornpong_FOTOGRAMA_web-150x150.jpg\")
<\/a>\n\t\t\t<\/dt>\n\t\t\t\t