{"id":14561,"date":"2019-03-29T07:37:18","date_gmt":"2019-03-29T07:37:18","guid":{"rendered":"https:\/\/www.lpafilmfestival.com\/claves-para-la-octava-jornada-del-festival\/"},"modified":"2019-03-29T07:56:21","modified_gmt":"2019-03-29T07:56:21","slug":"claves-para-la-octava-jornada-del-festival","status":"publish","type":"post","link":"https:\/\/www.lpafilmfestival.com\/en\/claves-para-la-octava-jornada-del-festival\/","title":{"rendered":"Keys to the Festival&#8217;s eighth day, Friday 29th"},"content":{"rendered":"<ul>\n<li>\n<p style=\"text-align: left;\" align=\"JUSTIFY\">Keys to the eighth day: Walden by Jonas Mekas, a \u201chappy and exciting\u201d work, Losing Ground\u00bb by Kathleen Collins and Les rendez-vous d\u2019Anna, by Chantal Ackerman, two new titles in D\u00e9j\u00e0 vu and the Monopol Music Festival Night at The Paper Club featuring Nacho Vegas and Alice Wonder<\/p>\n<\/li>\n<\/ul>\n<p><!--more--><\/p>\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\"><strong>Walden, by Jonas Mekas, a \u201chappy and exciting\u201d work<\/strong><\/p>\n<p lang=\"es-ES\" align=\"JUSTIFY\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14554\" src=\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/STILL-WALDEN-1024x640.png\" alt=\"\" width=\"600\" height=\"375\" srcset=\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/STILL-WALDEN-1024x640.png 1024w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/STILL-WALDEN-300x188.png 300w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/STILL-WALDEN-768x480.png 768w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/STILL-WALDEN-200x125.png 200w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/STILL-WALDEN-600x375.png 600w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/STILL-WALDEN-100x63.png 100w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/STILL-WALDEN-1170x731.png 1170w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/STILL-WALDEN.png 1200w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\">In January 2019 passed away a referential artist for this festival: filmmaker, critic, poet and film activist <strong>Jonas Mekas<\/strong>. He was paid tribute with the design of this edition&#8217;s poster, and will be paid tribute, too, with a screening of <em><strong>Walden<\/strong><\/em> (USA, 1968, 180 min.)<\/p>\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\">Upon arriving in New York, Jonas Mekas documented his experience through filming. The result of this material is <em><strong>Walden<\/strong><\/em>, a <em>\u201chappy and exciting\u201d<\/em> work, according to Luis Miranda, the director of the Festival, <span lang=\"en-GB\">a chronicle of events of his everyday world and the tireless drive to capture life around him, but also a portrait of the American avant-garde scene of the 60s, from Yoko Ono to Andy Warhol.<\/span><\/p>\n<p style=\"text-align: left;\" align=\"JUSTIFY\"><span lang=\"en-GB\">Jonas Mekas founded in 1955 the Film Culture magazine, in 1962 the cooperative The Filmmakers and in 1970 the Anthology Film Archives as an extension to his militancy in the avant-garde wave of the New Yorker underground in the &#8217;60s. <em>\u201cMekas took the compromise between the filmmaker and the filmed with a minstrel&#8217;s joy. He was a poet of a cinema as an intimate and communitariam participation; a visionary without obscurity, a libertarian without circumspection; a Walt Whitman-like vitalist, but without the ego nor torment\u201d<\/em>. <\/span><\/p>\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\"><strong>Losing Ground by Kathleen Collins and Les rendez-vous d\u2019Anna by Chantal Ackerman, two new titles in D\u00e9j\u00e0 vu<\/strong><\/p>\n<p style=\"text-align: left;\" align=\"JUSTIFY\">Barbara Loden, Kathleen Collins, Nietzchka Keene, Chantal Akerman, Larisa Sheptiko, Nina Menkes and Agn\u00e8s Varda<span lang=\"es-ES\"> are the seven filmmakers to whom <strong>D\u00e9j\u00e0 vu<\/strong>, the section of the Festival that rescues essential titles, has paid attention in 2019. They all were filmmakers that broke with the established norm. The Monopol Multiplex will screen on Friday 29<\/span><span lang=\"es-ES\">th<\/span><span lang=\"es-ES\"> two new films of the cycle: <\/span><strong><em>Losing Ground<\/em><\/strong> by Kathleen Collins, pioneer among Afro-American women, and <strong><em>Les rendez-vous d\u2019Anna<\/em> <\/strong>by Chantal Ackerman, the intimal portrait of a woman looking for her own balance.<\/p>\n<div id=\"attachment_12991\" style=\"width: 610px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12991\" class=\"size-full wp-image-12991\" src=\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/still.LosingGround.007.Scott_-e1552029884703.jpg\" alt=\"\" width=\"600\" height=\"449\" \/><p id=\"caption-attachment-12991\" class=\"wp-caption-text\">Losing Ground<\/p><\/div>\n<p style=\"text-align: left;\" align=\"JUSTIFY\"><span lang=\"es-ES\">Collins&#8217; film,<\/span> <strong><em><span lang=\"es-ES\">Losing Ground <\/span><\/em><\/strong><span lang=\"es-ES\">(USA<\/span><span lang=\"es-ES\">, 1982, 86 min.<\/span>) <span lang=\"en-GB\">focuses on the experiences of a professor whose artist husband rents a country house for a month to celebrate a recent museum sale. The couple\u2019s summer idyll becomes complicated and she begins to find<\/span> <span lang=\"en-GB\">herself. The film was shown at festivals such as Berlin, Munich or London, and will be screened here at 7 pm at the Monopol Screen 5.<\/span><\/p>\n<p align=\"JUSTIFY\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-14562\" src=\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/LES-RENDEZ-VOUS-D_ANNA-1024x617.png\" alt=\"\" width=\"600\" height=\"361\" srcset=\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/LES-RENDEZ-VOUS-D_ANNA-1024x617.png 1024w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/LES-RENDEZ-VOUS-D_ANNA-300x181.png 300w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/LES-RENDEZ-VOUS-D_ANNA-768x463.png 768w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/LES-RENDEZ-VOUS-D_ANNA-200x120.png 200w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/LES-RENDEZ-VOUS-D_ANNA-600x361.png 600w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/LES-RENDEZ-VOUS-D_ANNA-100x60.png 100w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/LES-RENDEZ-VOUS-D_ANNA-1170x705.png 1170w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/LES-RENDEZ-VOUS-D_ANNA.png 1793w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: left;\" align=\"JUSTIFY\">Selected, among others, for the Rotterdam, Chicago and New York festivals, <strong><em>Les rendez-vous d\u2019Anna<\/em><\/strong> (Belgium, France, Germany (RFA), 1978, 127 min.) will be screened at 9 pm at the Monopol Screen 5.<\/p>\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\"><strong>Nacho Vegas and Alice Wonder, night for the <a href=\"https:\/\/www.monopolmusicfestival.com\/\">Monopol Music Festival<\/a> at The Paper Club<\/strong><\/p>\n<div id='gallery-1' class='gallery galleryid-14561 gallery-columns-2 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.lpafilmfestival.com\/en\/nacho-vegas\/nacho-vegas-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"171\" src=\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/NACHO-VEGAS-300x171.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/NACHO-VEGAS-300x171.jpg 300w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/NACHO-VEGAS-768x439.jpg 768w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/NACHO-VEGAS-1024x585.jpg 1024w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/NACHO-VEGAS-200x114.jpg 200w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/NACHO-VEGAS-600x343.jpg 600w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/NACHO-VEGAS-100x57.jpg 100w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/NACHO-VEGAS-1170x669.jpg 1170w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.lpafilmfestival.com\/en\/alice-wonder\/alice-wonder-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"171\" src=\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/ALICE-WONDER-300x171.jpg\" class=\"attachment-medium size-medium\" alt=\"\" srcset=\"https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/ALICE-WONDER-300x171.jpg 300w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/ALICE-WONDER-768x439.jpg 768w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/ALICE-WONDER-1024x585.jpg 1024w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/ALICE-WONDER-200x114.jpg 200w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/ALICE-WONDER-600x343.jpg 600w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/ALICE-WONDER-100x57.jpg 100w, https:\/\/www.lpafilmfestival.com\/wp-content\/uploads\/2019\/03\/ALICE-WONDER-1170x669.jpg 1170w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl>\n\t\t<\/div>\n\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\">The Monopol Music Festival holds on Friday 29th the concerts of <strong>Nacho Vegas<\/strong> and<strong> Alice Wonder<\/strong>. Experience and youth, both of strong musical personality, for the first of its big nights. Tickets (10 euros) are available at the ticket office and at the festival&#8217;s website, monopolmusicfestival.com.<\/p>\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\"><strong>The Paper Club<\/strong>&#8216;s stage will begin at <strong>10 pm<\/strong> with <strong>Alice Wonder<\/strong>&#8216;s performance. The release of <em>Firekid<\/em> was one of the best news 2018 gave Wonder, who has already been a member of Xoel L\u00f3pez&#8217;s band. Produced by \u00c1ngel Luj\u00e1n in collaboration with Jorge Gonz\u00e1lez, Vetusta Morla\u2019s keys player, the album includes songs Wonder had already advanced at the beginning of 2018 \u2013<em>Strategy, Clean up the mess <\/em>or <em>Too mad<\/em>\u2013 together with tracks like <em>Playgame <\/em>or <em>Bajo la piel.<\/em><\/p>\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\"><em>Firekid<\/em> was thought of as a challenge; she wanted to experiment beyond just recording with her voice and guitar or piano her songs, for what she counted on Mart\u00ed Perarnau&#8217;s IV collaboration (Mucho). Her deep voice is subjected to a sonority in which Soul\u2019s fondness intermingle with Trip Hop\u2019s alchemy and 90s\u2019 Indie, while the lyrics, full of experiences and personal pictures, reveal the different layers and worlds living inside of her.<\/p>\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\">The Asturian <strong>Nacho Vegas<\/strong> will be accompanied by his regular band, made up of three members of Le\u00f3n Benavente, Abraham Boba (keys and guitar), Luis Rodr\u00edguez (bass) and Edu Baos (guitar); in addition to Manu Molina (drums) and Joseba Irazoki (guitar). Nacho Vegas recorded with this band Viol\u00e9tica (2018), an album that has received excellent reviews by specialized media and that has been on top of 2018 best records\u2019 lists.<\/p>\n<p lang=\"es-ES\" style=\"text-align: left;\" align=\"JUSTIFY\">Nacho Vegas is one of the most consolidated and respected artists of our country. His repertoire includes love stories, depictions of our time, satires, odes, anthems&#8230; Nacho began his solo career in 2001 and from then on he has released <em>Actos inexplicables, El tiempo de las cerezas <\/em>(featuring Enrique Bunbury)<em>, Verano Fatal <\/em>(featuring Christina Rosenvinge)<em>, La Zona Sucia, C\u00f3mo Hacer Crac, Resituaci\u00f3n, Canciones Populistas <\/em>and, finally, the aformentioned<em> Viol\u00e9tica.<\/em> Information provided by <a href=\"https:\/\/www.monopolmusicfestival.com\/enric-montefusco\/\">monopolmusicfestival.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Keys to the eighth day: Walden by Jonas Mekas, a \u201chappy and exciting\u201d work, Losing Ground\u00bb by Kathleen Collins and Les rendez-vous d\u2019Anna, by Chantal Ackerman, two new titles in D\u00e9j\u00e0 vu and the Monopol Music Festival Night at The Paper Club featuring Nacho Vegas and Alice Wonder<\/p>\n","protected":false},"author":4904,"featured_media":14564,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"categories":[401],"tags":[],"class_list":["post-14561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts\/14561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/users\/4904"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/comments?post=14561"}],"version-history":[{"count":0,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts\/14561\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/media\/14564"}],"wp:attachment":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/media?parent=14561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/categories?post=14561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/tags?post=14561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}