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Panorama presents <\/b>\u2018Le Lion est mort ce Soir\u2019, Nobuhiro Suwa’s last feature, starring Jean Pierre L\u00e9aud<\/b><\/strong><\/p>\n Eight years after Yuki & Nina, filmmaker Nobuhiro Suwa -the most French-like Japanese director- returned in 2017 with the feature film L<\/em>e lion est mort ce soir<\/em> (France, Japan, 103 min), starring one of the Nouvelle Vague’s most iconic actors, Jean-Pierre L\u00e9aud, and Pauline Etienne. In Le lion est mort ce soir<\/em>, L\u00e9aud plays Jean, an actor caught up in the past, who learns that his current film shoot is unexpectedly suspended for an indefinite period. He takes this opportunity to visit an old friend and settles, clandestinely, into an abandoned house where it happened that Juliette, the great love of his life, once lived. Suwa recovers for this story his previous film’s character, Nina, a return that contributes to Jean’s introspective look.<\/p>\n The Festival’s audience may remember both Suwa, who came in 2006 with his film Un couple parfait<\/em>, and L\u00e9aud, who won in 2011 the Honorary Lady Harimaguada.<\/p>\n Le lion est mort ce soir<\/em> has been shown at the San Sebasti\u00e1n, Busan and Taipei festivals, among others. In Las Palmas de Gran Canaria it will be shown within the Panorama section on Saturday 14 at 8 pm at the Monopol Screen 5 and on Sunday 15, at 10 am at the same screen.<\/p>\n New chance for enjoying the Richard Leacock Award for Best Short Film, Plus Ultra<\/strong><\/p>\n On Sunday 15, at 10 am, at the Monopol Screen 3, there’ll be a new chance to see the winner of this edition’s Richard Leacock Award: Plus Ultra<\/i><\/strong>, by Samuel M. Delgado and Helena Gir\u00f3n, a work in which the jury emphasized \u201cits formal and aesthetic proposal\u201d as well as the fact that it means \u201ca boost of great originality when dealing with the islands\u2019 regular historical tale, being able to decontextualizing the facts and opening new lines for reflection\u201d<\/em>.<\/strong><\/p>\n The short film is screening within the Canarias Cinema Session 2, together with Clavijo, tu amor<\/em> (Amaury Santana, Spain, 2017, 11 min.), Insight<\/em> (Hugo Herrera Gonz\u00e1lez, Spain, 2017, 13 min.), La mu\u00f1eca rota<\/em> (The Broken Doll) (Daniel Le\u00f3n Lacave, Spain, 2017, 16 min.), Morir en el intent<\/em>o (Die Trying) (Students from Escuela de Cine Infantil y Juvenil C\u00e1mara y Acci\u00f3n, Spain, 2017, 13 min.), Nocturnos<\/em> (Nocturnes<\/em>) (Miguel A. Mej\u00edas, Spain, 2018, 17 min.) and Nouvelle cuisine<\/em> (Manuel Reyes Halaby, Spain, 2017, 5 min.).<\/p>\n The Elder Museum holds the screening of Who Wants to Kill Jessie?, scientific futurism within the Red Star film series<\/strong><\/p>\n The best possible environment to revive on Saturday 14, at 8:30 pm, one of the features included in the Red Star film series, the Czech Who Wants to Kill Jessie?<\/em> (V. Vorl\u00edcek, 1966, 80 min.), the only one which, by the way, goes out of the space field to get into a scientific futurism coated in costumbrist humor, surrealist spirit and pop causticity; a copy of a fantastic-satyrical comic, perfectly coherent with the kind of humor that was going to give birth in other places to films such as Barbarella. Its showing, at the Elder Museum of Science and Technology’s screen. The following day, Sunday 15, it will take place at noon at the Monopol Screen 5.<\/p>\n May 68 finishes its screenings with WR: Mysteries of the Organism\u2019, an experimental film about Wilhelm Reich’s \u201corgone energy\u201d theory <\/strong><\/p>\n The May 68 film series finishes its screening on Saturday, April 14, with the film\u00a0WR: Mysteries of the Organism <\/em>(Du\u0161an Makavejev, Yugoslavia, R.F.A., 1971, 85 min.), an experimental film in which fiction and documentary intertwine in its enquiring into Wilhelm Reich\u2019s theories on the \u201corgone energy\u201d, a living form of sexual energy that pervades the universe. Bizarre sequences are juxtaposed with storylines that unravel the link between sex and politics. It will be shown on Saturday, April 14, at 10 pm at the Monopol Screen 7.<\/p>\n","protected":false},"excerpt":{"rendered":" Panorama presents \u2018Le Lion est mort ce Soir\u2019, Nobuhiro Suwa’s last feature, starring Jean Pierre L\u00e9aud Eight years after Yuki & Nina, filmmaker Nobuhiro Suwa -the most French-like Japanese director- returned in 2017 with the feature film Le lion est mort ce soir (France, Japan, 103 min), starring one of the Nouvelle Vague’s most iconic actors, Jean-Pierre L\u00e9aud, and Pauline …<\/p>\n","protected":false},"author":25,"featured_media":12128,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"categories":[401],"tags":[],"class_list":["post-12132","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts\/12132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/comments?post=12132"}],"version-history":[{"count":0,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/posts\/12132\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/media\/12128"}],"wp:attachment":[{"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/media?parent=12132"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/categories?post=12132"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lpafilmfestival.com\/en\/wp-json\/wp\/v2\/tags?post=12132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}